Tags: Comedy, Romance, Harem, Slice of Life, School Life
Sub-Tags: Misunderstandings, Introverts, Childhood Friends, Idols
Synopsis:
Only One Can Win!
Finally, the screenplay is complete, and Ryou Takamori and the crew can start filming their short movie! After borrowing equipment from Ai Himejima’s agency, they head to a faraway beach to shoot one of their scenes. It’s not all fun and games, however, when an argument breaks out between Hina Fushimi and Shizuka Torigoe— and that’s before Ryou learns Hina and Ai are auditioning for the same role in a musical! He roots for both, but he knows only one of them can pass… (Source: Yen Press)
A Battle of Love and Acting!
Film Antics and Stagnation
Marking my 200th post on this blog site, my latest read finds me returning to a series filled with potential blossoming romances. For the latest outing of The Girl I Saved on the Train’s story, its cast of characters move on to the next stage of making a movie – starting filming.
As part of shooting for a movie, Ryou and his potential lovers have plentiful opportunities for harem hijinks and misadventures. However, through reading this volume, I couldn’t help but shake the feeling that this series is suffering from a short burst of stagnation. Four volumes in, and on the romance side of this rom-com, the lack of progression has started to wear thin.
For as much as I find the constant run-around between Ryou, Hina, Ai and Torigore entertaining, it’s becoming ever more apparent that this series can’t sustain itself on this content alone. At some point, something will need to take place to move both parties from their current seats of complacency and toward an eventual confession.
Something to Strive For
Thankfully, not everything about the series falls under the category of stagnation. Featuring in the latter half of the novel, the author makes a great realisation of the main character’s motivations and development.
One of the principal themes of the series is about the actualisation of one’s future. By the end of this volume, three of the main characters have moved closer to realising their possible futures – Hina, Ai, and Ryou. Hina and Ai, despite the former’s setback, have come to the decision that they want to follow a career in acting. In the same vein, Ryou has also discovered a possible path to ambition, finding himself behind the camera. Seeing others display their talents has unlocked his talents for directing and scriptwriting.
Ryou discovering his first moments of ambition and purpose holds potentially great things for the series’ future, especially if Ryou’s new purposeful outlook leads to development in romance.
The Girl I Saved on the Train’s fourth volume provides an overall mixed experience. Whilst the series’ usual mix of hijinks continues to be entertaining, the romantic aspect of the story leaves something to be desired.
Fortunately, the final moments of the story save this volume somewhat. Renewing a sense of ambition and purpose into several of the main characters can only mean good things for the future of the series. With their goals set in motion, it provides some more room for a potential romance to finally blossom.
The Girl I Saved on the Train Vol. 4
My Rating: 6.5/10